My posting is going to be less frequent over most of the summer as I hit the conference trail, a Powerpoint-spangled stairway to the stars that's already taken me to Limerick and Amsterdam and will end up in Kyoto (and probably, complete exhaustion) after four or so more European venues. At the same time, all this activity makes me think about those magic moments when my scholarship and fandom identities merge.
I mean, when my hosts at a three-day course google me and find my number three hit is as a talking head expert on the indie documentary "True Fan" (I tried to explain the social identity of convention Klingons and stormtroopers) .... and then I end up talking D&D with one of the grad students over beers ... that's got to be telling me something.
There's no doubt that the most interesting emotion my lab studies is disgust. We find that disgust is an irrational emotion that defies our attempts to explain it reasonably. Disgust is also a many-branched emotion. Many different things that we learn by association set it off, and there really is no one way to sum up the kind of perceptions that will and will not cause disgust.
Really, any kind of environment creator - game designer, author, filmmaker, game master - works best with a ready handle on the audience's emotions. One of the easiest to manipulate is disgust. I mean:
This gimmick from the Modern Toilet restaurant chain in Taiwan relies on the inflexibility of disgust. Even though you know you are eating from a clean metal dish in a clean porcelain bowl, the toilet shape brings up all kinds of associations and disgust can't help but happen (worse if you are eating splashy, green-brown curry).
It follows that, while it may be hard to get angry, feel pleasure, or fall in love as your character in a game, disgust more readily pierces through the "Just a game" barrier. We feel disgusted even at blatant simulations of things that make us disgusted.
But does this mean we really get disgusted in character? Or just that we transfer our own revulsions to the setting? I'll explain how to work with this gap next time, when I write about Basic Disgust.
Wolverine Woodwose - FQ Book 6 Canto 6
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